‘Lost Soulz’ Review: A Hip-Hop Musical Buoyed by Original Compositions from Its Talented Cast | instastori.com

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An intriguing character-based philharmonic that chronicles a fewer days successful nan life of an aspiring young rapper, “Lost Soulz” follows Sol (Sauve Sidle) arsenic he navigates life connected a roadworthy travel while making caller friends. The film, from first-time characteristic writer-director Katherine Propper, won nan second-place assemblage grant astatine this month’s Tribeca Film Festival. Inspired by Sidle’s acquisition arsenic a musician connected nan rise, “Lost Soulz” tells a earthy individual communicative successful a fragmented building deriving its spot from nan original euphony composed and performed by its talented cast.

Propper opens connected Sol admiring his reflection successful nan reflector and murmuring to himself, “You are a superstar. Look astatine you.” Sidle proves believable arsenic a big-dreams wannabe pinch an easy relaxed surface presence. Sol’s odyssey kicks disconnected aft his champion friend Wesley overdoses astatine a statement they were some attending. Though Sol was surviving pinch Wesley’s family, he abandons him and spontaneously accepts a group of hip-hop musicians’ invitation to circuit Texas pinch them. The movie becomes a road-trip communicative intercut pinch philharmonic interludes.

“Lost Soulz” invites nan assemblage to bent retired pinch Sol and his caller friends. It simply follows them arsenic they recreation — successful a packed van, astatine state stations, astatine campfires. Beyond Sol, however, these characters consciousness unshaped, possibly because they’re younger group pinch still-unshaped personalities. Their interactions pinch each are afloat of easy camaraderie, arsenic they return humorous jabs astatine 1 another. Though nan revelations astir nan characters are simplistic, it seems that each of them only has 1 thought astir themselves.

More poignant is Sol’s narration pinch Wesley’s younger sister Jessie (Giovahnna Gabriel), an inquisitive kid he keeps checking connected from his trip. That narration hints astatine his guilt complete abandoning his friend, though nan actors make overmuch much of it, establishing it arsenic a saccharine narration connected its own.

“Lost Soulz” flows easy pinch a relaxed hit attuned to nan hit of its characters’ conversations. It seems to beryllium successful nary hurry to get anyplace aliases for this roadworthy travel to ever end. Though nan movie mightiness consciousness aimless astatine times, it’s buoyed by scenes successful which nan musicians travel together to rap and sing. The euphony is relaxed and soft, blending genres and showing nan communal joyousness these characters get from creating creation together.

Propper has an assured manus particularly astatine choreographing nan rap scenes. The hand-offs from 1 characteristic to nan different travel nan lyrics and make nan cumulative effect moving. Sometimes nan movie cuts to smartphone-style footage, showing nan measurement these young artists grounds themselves, though leaning excessively heavy connected that gimmick starts to get repetitive and lessens nan enjoyment for anyone not watching nan movie connected their phone. Doing that would lessen nan effect of Donald Monroe’s gorgeous cinematography, pinch its yellowish godforsaken hues. Other choices, specified arsenic utilizing split-screen, make “Lost Soulz” consciousness excessively overmuch for illustration a euphony video astatine times.

Buoyed by its charismatic lead performance, “Lost Soulz” makes for an entertaining ride. Its structure, cinematography and (especially) nan choreography of philharmonic scenes show nan assurance of its first-time filmmaker. Propper, who counts chap Texas-based filmmakers Terrence Malick and Richard Linklater among her influences, has a commanding consciousness for constructing communicative retired of music. “Lost Soulz” makes for a successful calling paper for her and Sidle’s burgeoning careers.